A short and long reverb for the song/dance numbers, and 2 reverbs for the cave scenes where Aladdin finds the lamp. The Surrounds were delayed back to FOH LR so that when playing content through both the main PA and surrounds, sonically the music would be in time.Ĥ reverbs were used on the show. Surrounds, Subs, Foldback, Relay, Reverbs were on Auxes. This was mainly taking them out of the front fills as these were situated less then 20cm away from them. These groups were also routed slightly different in the matrix so the band had a wider image then the SFX.įloat mics were put into a group, so that I could get the most gain out of them before feedback. The band group (of which all of the songs where routed through) had a notch taken out at 2k in the equaliser. This group has 9ms delay on it to help with vocal imaging.Ģ Groups are used for Qlab outputs, 1 for SFX and 1 for ‘Band’. The 11 wireless Sennheiser Microphones are routed through a ‘lead vocals’ group and then into the matrix. The design features the use of 4 Groups and 9 Auxes. The DSM also has a happy time not hearing two sources of audio too. Everything is delayed back to the Subs, Including show relay! This means that the design can guarantee that any source used in the system will be sonically in time wherever in the auditorium. Because these loudspeakers are so far back. The in-house subs are rigged above stage along the top edge of the proscenium arch.
#Qlab go button box pro
On the balconies closest to the proscenium arch, two t.Box Pro 104s were rigged so that there was appropriate reinforcement for the seats that were actually situated behind the main LR PA. Front fills were able to reinforce vocals in the first few rows where the axis of the speaker didn’t quite hit the seats. This provided an even coverage amongst most of the seating. Due to the longer distance to the Audience, they were also run a little hotter.Ī Center speaker (Martin Audio W2) was installed on the first advance bar, in line with the front fills. The L/R for the top half was flown in, on trapezes.
The L/R comprised of 4 x Martin Audio Black Line F12. A left and right for the bottom half of the rake and a left and right for the top half. Left and Right were divided up into two sets. The Epsom Playhouse seats 450 audience members, due to the raked seating as well as the balconies, multiple speakers and processing were required. Some design choices have also been influenced by the theatre and the space, technically. With no band for this pantomime, the design relies quite heavily on Qlab and the design around the system. Spillers Pantomimes’ Aladdin in the Epsom Playhouse.
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